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Home Movies Movie News

Bong Joon-Ho Wanted Another Parasite, Instead Mickey 17 Might Be 2025’s Biggest Flop

After the massive success of Parasite, Bong Joon-Ho set out to deliver another cinematic masterpiece with Mickey 17. Unfortunately, it flopped.

Tito PernaletebyTito Pernalete
31 March 2025
Bong Joon-Ho's Mickey 17 Robert Pattinson
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Back in 2020, every filmmaker wanted to be in Bong Joon-Ho’s shoes. Parasite, the movie that made subtitles cool again, had just snagged four Academy Awards, including Best Picture. Fast forward to today, and the visionary director has just released another genre-bending film about the intricacies of social inequality: Mickey 17. On paper, the movie should have been a success – and in the eyes of many critics, it was. The box office, however, tells a much different story.

Let’s be honest: Following Parasite is like trying to bake a soufflé after inventing fire. Sure, Bong is, by now, a master in weaving this type of story – but were audiences ready to sit down in theaters for a movie like Mickey 17? The numbers say “No.” But how do you go from Parasite’s international success to Mickey 17’s tepid reception? The answer to that is as multifaceted and complex as the plot to director Bong’s latest sci-fi adventure, even if what appears to be inevitable is the fact that the movie was a colossal flop for Warner Bros.

Mickey 17’s Very Big Budget

One of the many reasons why Parasite was such a surprise success has to do with the film’s microscopic (for Hollywood) budget. According to official sources, Parasite had a $11.8 million budget; by comparison, that’s almost $10 million cheaper than a regular episode of Severance.

Then, we have Mickey 17. It’s not like Director Bong is unfamiliar with high budgets – both Okja and Snowpiercer hovered close to the $50 million mark. The thing is, Mickey 17 had a colossal production budget of $118 million – and that’s before we consider marketing costs. A movie like that would have to make around $450 million at the box office just to break even, which is nowhere near close to the current worldwide tally of $112 million.

Mickey 17 Is Not Star Wars

Mickey 17 Toni Collette Mark Ruffalo
Image Credit: Warner Bros. Pictures

As impressive a sci-fi flick as Mickey 17 is, it remains a rather niche oddity that only the more knowledgeable fans of Bong Joon-Ho were eagerly awaiting. Simply put, Mickey 17 is not (and never tried to be) Star Wars. Its limited appeal means that Warner Bros. should have enforced a tighter budget, in line with commercial expectations.

Once the first reviews came in, it soon became clear that Mickey 17 was in trouble. The movie was good, but its niche subject meant it had to be great if it wanted to recoup its production budget.

Bong Joon-Ho Doesn’t Play It Safe

Mickey 17 Bong Joon-ho
Image Credit: Warner Bros. Pictures

Bong Joon-Ho isn’t exactly known for his commitment to franchises. You won’t hear about Okja 2 or Parasite: Origins anytime soon; it’s just not his style. Unfortunately, that also means that his movies, being standalone affairs, need an extra oomph to sell tickets, and a movie like Mickey 17 simply didn’t have it.

As loved by DC fans as he might be, Robert Pattinson is still not the box-office magnet that studios think he is. Still, even with all the star power in the world, there was just not enough interest in a movie like Mickey 17 to guarantee success with that budget. Bong shines best when he works with limited resources, but if Parasite taught us anything, it’s that underestimating Bong Joon-Ho is a fool’s gamble. Sure, Mickey 17 might stumble, but playing it safe has never been Bong’s style.

RELATED: Interview: Toni Collette Spills Juicy Behind-the-Scenes Secrets About Bong Joon-ho’s Space Thriller Mickey 17

As of this report, Mickey 17 has grossed $121.1 million at the box office and was unexpectedly released on Digital HD on March 25, 2025, much earlier than anticipated.

Tags: Robert PattinsonSci-Fi
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About the Author: Tito Pernalete

Tito Pernalete — film critic & entertainment writer with a BA in Social Communication. Covers sci-fi, horror & cult cinema. Published at Budapest Reporter.

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