In just a few months the newest re-imagining of the cult classic Charlie’s Angels will hit theatres around the world. Naomi Scott, Kristen Stewart and Ella Balinska bring the new generation of Angles to life with Elizabeth Banks taking the helm as screenwriter and director.
The movie is said to be a continuation of the franchise’s existing storyline and was develop by Evan Spiliotopoulos and David Auburn. The premise goes something like this…
It’s 2019 and Charles Townsend’s security and investigation agency has expanded internationally. Teams of highly trained, intelligent, fearless women referred to as “Angels” are guided by multiple Bosleys (which is now a ranking title rather than a name) as they complete the toughest missions across the globe. When a young systems engineer blows the whistle on some dangerous technology, these Angels are called into action, putting their lives on the line to protect us all.
Before anyone loses it and decides that this article is just another piece hating on a film about powerful women, let me assure you that it’s not. I actually love seeing strong female characters on screen.
To fully understand the problem with Charlie’s Angels let’s go back to the beginning for a second.
The original Charlie’s Angels series was developed in 1976 when the main goal of network television was to capitalize on the growing popularity of “Jiggle TV”. This term was coined by network executives and referred to TV shows that used the sexuality of young women to appeal to their audiences. These shows were filled with innuendo, suggestive language and unsubtle sexism.
Charlie’s Angels was one of those shows. The lead actresses frequently dressed scantily or provocatively as part of their undercover characters which included personas like hotel maid, roller derby girl and beauty pageant contestant. And sometimes they would just be bikini-clad for no logical reason (insert eye-roll here).
Sure, it was a different time then and we can’t be mad at television history. But we should learn from it, be better, grow and move on.
Yet somehow the franchise continues to have a cult and pop culture following through syndication of the original series, two feature films and the reboot television series in 2011.
The success of the 2000 movie can be credited to nostalgia and the casting of Cameron Diaz, Drew Barrymore and Lucy Liu, who were extremely popular in mainstream entertainment at the time. Despite the movie’s action-comedy vibe (and the fact that decades had passed since the original series), it still focused on the sexuality of the characters above everything else. Even the movie’s tagline “Get Some Action” was a gross innuendo (I mean, seriously?!).
The reception for the sequel in 2003 was lukewarm at best and the 2011 series reboot was cancelled after one season.
Fast forward to 2019…
For some inexplicable reason, Hollywood just can’t let the franchise die and a trailer for the new Charlie’s Angels was released a few days ago. Objectively speaking, it doesn’t seem half bad at first glance – except for two glaringly obvious problems:
• It’s Been Done Before
It’s 2019, we already have so many fearless, strong, awesome women in movies and on television (think Captain Marvel’s Carol Danvers and Sabrina Spellman of the Chilling Adventures Of Sabrina). Secret Agent / Spy movies are a dime a dozen. Not to mention that they have been done to death. There are a zillion Mission Impossible movies (which the new Charlie’s Angels draws inspiration from). Yes, representation matters but a movie has to have more substance than just swapping out the guys for girls.
• The Underlying Sexism
While Elizabeth Banks insists that her vision of Charlie’s Angels doesn’t focus on the sexist troupe of the past, the trailer suggests that it’s still there.
Kristen Stewart’s character is seen undercover, working to seduce a man who is stealing humanitarian aid funds. At a different point in the trailer, she’s seen dressed in a tiny maid outfit, and later she smacks her own backside with a riding crop (insert face-palm emoji here).
Banks is content with the film being described as “really sexy, but not sexual” because apparently the film won’t be filed with gratuitously sexual scenes for the sake of presenting women as objects. But why is it even necessary to be “sexy” at all? I don’t recall Agent Sarah Ahsburn and Detective Shannon Mullins in The Heat needing to be anything but their awkward, hilarious selves to get the job done.
Final Thoughts
While the spirit of the movie may be well intentioned (because women can do anything) Charlie’s Angels 2019 will probably be mediocre at best. This is mostly because the story is “meh”, the genre is exhausted and it will just get lost in the shuffle.
The recipe for a really good spy movie featuring women (or men) should include a good original story, excellent acting and a title that hasn’t been tainted by 1970s trash TV. And definitely hold the sexism.
Charlie’s Angels opens in theatres on November 15, 2019.
It’s almost like they thought “Look, people don’t like it when we remake old popular films and replace all the men with women. So let’s just start remaking the ones that already were all women”
This article is extremely sexist. Are you familiar with the writings of Frida Kahlo? If not, I suggest you acquaint yourself. You will be enlightened and know that sexuality is one of the most powerful tools.
Honestly, when you have to use the phrases “Strong Women” and “Women can do anything” on repeat, in every article, movie, TV show, billboard, T-shirt, shoe lace (for real, my daughter has “Girls Rule The World” on her shoe laces), who are you trying to convince? Really, it’s pathetic. You want to be strong and do anything? Do it and stop make such a production out of it.
If you have a problem with women using their sexuality as a weapon, you need to go find another planet to live on. The bulk of the audience for this film will be guys and guys want to see beautiful women, we are not interested in manish bull-dykes doing stuff that guys can do anyway (only
doing it worse). Kristen Stewart is already a boarder-line choice but then, we have to keep the lesbian feminists happy because, you know, The Patriarchy…. (insert massive eye roll)
This may work. Strong female characters in roles created for females seem to have a place. When the SJW Libtard patrol try shoehorn “Strong Female Characters” into roles created for men, they fail, as they should.
You lost me at Kristen Stewart. And this whole SJW movement in Hollywood despises women being objectified. Except when it’s done by women. And no, before you attack me with terms such as “Toxic Masculinity”, “sexist”, “metoo”, etc, I actually loved the recent Ghostbusters. And the strongest female characters in action/sci fi movies are Sarah Connor and Ellen Ripley.
Yet these SJW’s don’t care about those characters. They simply want to hijack media and characters that have been around for decades to further their agenda. But are they consuming the very media that they are hijacking trying to force down everyone else’s throats? The returns for this say a very definitive NO. Look at the box office returns? What are the returns of comicbook characters that have replaced the already established characters and their stories? Who even asked for a Batwoman television series, that so far, is fighting against the very fans(of EVERY demographic)which built the brands?
I’m the first one to stand up and consume media from creators and artists from ALL backgrounds, ethnicities and ways of thinking. And that includes paying for the product/service, following the creators/artists on social media.
This is how it’s done. Shouting at and ridiculing everyone on social media and in the press is not how you do it.
God forbid we have a light-hearted spy show with ATTRACTIVE WOMEN doing things to specifically look ATTRACTIVE.
If women can do anything, why do SJWs get so triggered every time a woman is portrayed doing things but not in exactly the right way? It’s incredibly sexist to have additional standards for how women are “supposed to” appear and behave that wouldn’t apply to men. If I wanted to make a movie about women I’d have so-called “feminists” breathing down my neck about whether XYZ that character A says or does was “problematic” in whatever imagined capacity.
This isn’t some double standard either. Bond’s being some incredibly handsome man whose missions almost always seem to involve him showing up in a tuxedo or half-naked on a beach or in someone’s bedroom isn’t mere coincidence. He’ll be leaping around performing stunts in some tailored Saville Row suit too pulling out gadgets that miraculously happen to have a use. All these spies are just a product of fantasy.
If we had “realistic” spy movies that involved especially inconspicuous and ordinary people gradually planting themselves in organizations and leaking information out and playing department politics, yeah, the Angels would seem out of place.
But your standard spy action movie is SUPPOSED to be over the top. That’s the genre. Fast cars, exotic destinations, incredible wealth, cool guns and a shoot-first attitude, attractive people etc. Frump up the angels or worry about “practicality” and you’ve got a different movie in a totally different genre.
Whateve the whole movie is A W E S O ME 🥰 no need for this article and comments 🖤 It is still a piece of art 😍😍😍😍😍😍
Whatever the whole movie is A W E S O M E 🥰 no need for this article and comments 🖤 It is still a piece of art 😍😍😍😍😍😍
Lul your ideas on A Concept on sexy female spies is contradictory & silly and so is this movie. Sexy women in sexy outfits is sexist even if they are spying, infiltrating, conning & tricking?? Yeah okay…..
During the entire movie, the group of girls consistently refer to each other as “you guys.”
Women are strong and powerful and equal to men. Only looking at gender is silly and ignorant – there are strong men and weak men, strong women and weak women. However, for a movie that professes to strive to show women’s value and strength – and uses this phrase “you guys” over and over again, when referring to a group of WOMEN – I can’t respect it in the least. It’s lost all power in this gross oversight, and just lends merit to the perpetual fact that really, no matter what, the “rules” and barriers that have been inflicted upon women since Biblical times are still in effect today, as women themselves can’t seem to write or enact in a movie that doesn’t bow down to these archaic, imposed, and, in my opinion, unloving, restrictions.