Another comic book movie, another outrage. At this point, you wonder if social media’s sole purpose is to dunk on everything and everyone because it certainly holds no other merit or value. In fact, a whole bunch of manufactured controversy and biased reaction was stitched together to annihilate Wonder Woman 1984.
As a fan, it’s frustrating to see how these characters that we all hold dear become enthralled in a faeces-flinging contest, where everyone is bound to get splattered. As a student of human behaviour, though, it’s fascinating and speaks a lot about the terminal nature of the genre. Oh, yes, it’s true—comic book movies are nearing their end and it’s our collective fault.
You see, there was a time when a comic book movie was dirtier than an erotic thriller. No one wanted to make them and critics absolutely slaughtered every single one of them, but it didn’t matter to the fans. They’d still turn up in droves and watch their favourite superheroes on screen. It didn’t really matter if the movie was good or bad; they just felt privileged that something existed for them to savour.
Then, the shift happened. Comic book characters became cool. Suddenly, Chad next door wanted to watch the new Spider-Man film and more people labelled themselves as comic book fans than ever before. At the same time, the comic book movie genre became the cinematic equivalent of a tribal tattoo—amazing at first but it quickly degenerated into something that instantly identifies you as a douche.
You only need to read the online Wonder Woman 1984 reactions to see just how unbearable the fandom has become. Judging by some of the comments, you’d swear that Patty Jenkins made Freddy Got Fingered and Gal Gadot was unmasked as the Zodiac.
It’s a little over the top and sensationalist, regardless of the movie’s quality. It might not be the greatest comic book movie of all time, but it’s by no means the worst. Movies can be fine and perfectly serviceable without needing to be rated 100% on Rotten Tomatoes.
And here’s the thing: It completely sucks the joy out of these characters. Every time one of these movies comes out, there’s always some issue or never-ending complaints before the dust has even settled on its arrival.
Before you even digest the film, there’s some dipsh*t reviewer pointing out how problematic it is that Maxwell Lord’s son, Alistair, was played by an Asian child (the actor Lucian Perez is of mixed heritage, and that would’ve just required a simple Google search) and ready to ride into an imaginary battle over the latest faux outrage.
The movie won’t even be out for 24 hours and you’ll have essay threads about everything wrong with it and a demand for the filmmakers to be cancelled. No one will bother to do any research about the topic or learn how to critically assess a text, because you need to get that tweet out before everyone else. (FOMO and YOLO, right?)
So, what is this doing? Well, it’s increasingly obvious that creatives, such as actors and directors, are steering clear of the genre.
Why do you think Ben Affleck walked away from being Batman? It wasn’t because of the paycheck—that’s for sure—it’s because of the unnatural obsession and constant, judgmental eyes being cast on you. Make one move that people deem is wrong and the knives will be out. Just ask Patty and Gal about it.
From a fan’s perspective, it’s leaving a sour taste in many mouths. Those who are passionate about these characters are walking away from the discourse or even the fandom entirely. It’s just fun to be a comic book movie fan nowadays. It’s not even toxic anymore—it’s radioactive.
Maybe the popularity of comic book movies was some kind of Faustian deal and we’re dealing with the trade-off now. For a genre that’s supposed to be about heroes and doing the right thing, it seems to have attracted the opposite crowd. Ironic, isn’t it?
While I get where the article is coming from, I feel like you’re making a gross over simplification here. It’s not ‘all comic book movies’. It’s all the BAD ones, aka DC ones. You didn’t see this same kind of toxic outrage at Black Panther. There was certainly some backlash, there always is, but it wasn’t to the level described in this article. Same with Capt Marvel, though it was mostly directed at Brie Larson (not that I agreed with it).
Comic book movies don’t need to end, but the studios need to stop pumping them out because they’re hot right now. The fans want the movie creators to ‘get’ it, by putting at least some effort and thought into making it. Comic fans are full of nerds, and nerds appreciate clever and smart things. When you just apply the tired old action movie formulas and tropes, but just insert comic book characters, they get mad. You can’t assume the audience is stupid and just hand wave away things because it’s easier for you to make it that way. The movie doesn’t always have to be a masterpiece, not every Marvel movie was amazing, but it can’t be lazy is the thing.
Also, we’re in a bit of a lull period, where Marvel has only had one movie since Endgame, which set a really high bar. Black Widow would’ve come out by now, originally, but got delayed due to Covid. Even if they were on their original schedule, it’s sort of a new starting point for the MCU. Endgame culminated everything they’d been working on for a decade, and now they gotta start building up some new storylines.
So, instead, we’ve just had some DC offerings ranging from terrible to ‘meh, it was ok’ and I think the fans are tired of it. The DC characters aren’t inherently worse than the Marvel ones, in the comics, but the movies have consistently been no better than the worst MCU movies. The DC fans are justifiably mad, imo. I’d love to see another, equally good, cinematic universe involving DC characters.. but they’ve dropped the ball over and over.
This whole “toxic fandom” rhetoric is the same bullcrap explanation they gave for why the Star Wars sequel trilogy was poorly received by the fans. But then of course Favreau and Filoni came along with The Mandalorian and completely derailed that ridiculous narrative.
As it turns out, fans aren’t standing wide-eyed under their respect franchise’s butthole with their hands cupped waiting for whatever crap comes out. They want quality entertainment. If they don’t like a film, chances are it isn’t as good as the media shills would have you believe.
Trolling the trolls does not give the author a pass for sanctimonious hypocrisy.
People are upset because the movie was terrible! Same old stereotypes: black homeless, white rapist, mid-east terrorist, dumb blonde white woman, etc… PLUS, they don’t wonder where Steve has been? It’s not OVERLY weird he’s alive? They steal a fully gassed jet to Egypt? She remember she’s can make stuff invisible? They’re screaming in the wind tunnel and the lasso is useless until they’re talking normal in the same conditions and the lasso did work? She saves the mall criminals then drops them several stories ALIVE onto a brand new police car? She saves the children by rolling numerous times on concrete and the kids have no scratch? She lassos a moving jet and a speeding bullet? The story didn’t advance the narrative on WW. 1984 HAD NOTHING TO DO WITH IT…other than introducing a worldwide TV program that was fully staffed and operational that could also broadcast real time, full color to non-connected green-type monitors and computers with 14k, 28k modems and stadium TVs all in perfectly clear high res 4K . ——THAT, and telling people that wishes are all bad, is why the movie is bad.