For over 40 years the name ‘Stephen King’ has been synonymous with horror, not only for his own written work but also with films and television shows based on his novels. It’s probably safe to assume that the man knows a thing or two about the genre. But what exactly does a dark and twisted mind do to entertain himself? Watch dark and twisted films, perhaps? Stephen King recently took to Twitter to list a few of his favourite horror films and the list might surprise you.
The Witch
“The Witch scared the hell out of me. And it’s a real movie, tense and thought-provoking as well as visceral.”
The Descent
“If it were to pick another movie to analyze closely, it would be this remarkable story of six women who go on a caving expedition and encounter a race of subhumans (who resemble del Toro’s Pale Man, now that I think about it). What gives the movie its resonance is how the women play against each other – their very real resentments (and secrets) allow us to believe the monsters in a way that most horror movies do not. I never tire of saying this: in successful creepshows, it’s not the FX, and mostly not even the monsters, that scare us. If we invest in the people, we invest in the movie… and in our own essential decency.”
Crimson Peak
“Was treated to a screening of Guillermo del Toro’s new movie, CRIMSON PEAK, this weekend. Gorgeous and just f**king terrifying.”
The Autopsy of Jane Doe
“Visceral horror to rival ALIEN and early Cronenberg. Watch it, but not alone.”
Dawn of the Dead (2004)
“Genius perfected would be Zack Snyder’s Dawn remake, which begins with one of the best opening sequences of a horror film ever made. Snyder’s zombies are, it seems to me: fast moving terrorists who never quit. You can’t debate with them, you can’t parley with them, you can’t even threaten their homes and families with reprisals. All you can do is shoot them and then steer clear of the twitchers. Remember that their bite is worse than fatal.”
https://www.youtube.com/watch?v=–IIwV_Y6VU
The Strangers
“An orchestration of growing disquiet and horror as a young couple (Liv Tyler and Scott Speedman) are set upon by a trio of masked psychotics. It starts slowly and builds from unease to terror to horror. Why is this happening? Just because it is. Like cancer, stroke, or someone going the wrong way on the turnpike at 110 miles an hour.”
Final Destination
“I love all these movies, with their elaborate Rube Goldberg setups – it’s like watching R-rated splatter versions of those old Road Runner cartoons – but only the first is genuinely scary, with its grim insistence that you can’t beat the Reaper: when your time is up, it’s up.”
The Blair Witch Project
“One thing about Blair Witch: the damn thing looks real. Another thing about Blair Witch: the damn thing feels real. And because it does, it’s like the worst nightmare you ever had, the one you woke from gasping and crying with relief because you thought you were buried alive and it turned out the cat jumped up on your bed and went to sleep on your chest.”
The Mist
“The ending will tear your heart out… but so will life, in the end. Frank Darabont’s vision of hell is completely uncompromising. If you want sweet, the Hollywood establishment will be pleased to serve you at the cineplex, believe me, but if you want something that feels real, come here. Darabont could have made a higher-budget film if he’d added a cheerful ‘It’s all OK, kiddies’ ending, but he refused. His integrity and courage shine in every scene.”
Event Horizon
“Basically a Lovecraftian terror tale in outer space with a The Quatermass Experiment vibe, done by the Brits. The plot’s messy, but the visuals are stunning and there’s an authentic sense of horrors too great to comprehend just beneath the eponymous event horizon.”
Deep Blue Sea
“Directed by the ever-popular Renny Harlin, who could potentially turn Heidi into an action flick, this movie about genetically engineered sharks, you could say, isn’t up to very much… until, at the most unexpected point of the film, one of the surpermakos rears up and bites Samuel L. Jackson in half! Yessss! I screamed out loud, and I treasure any horror movie that can make me do that.”
Stir of Echoes
“Writer/director David Koepp should be declared a national treasure. His adaptation of Richard Matheson’s 1958 novel is an unsettling exploration of what happens when an ordinary blue-collar guy (Kevin Bacon) starts to see ghosts, thanks to a hypnotic suggestion.”
The Ruins
“The Scott B. Smith-scripted adaptation of his novel isn’t quite as creepy as the book, but the sense of dismay and disquiet grows as the viewer begins to sense that no one’s going to get away. With its cast of mostly unknowns, this would play well on a double bill with Snyder’s Dawn [of the Dead] remake.”
The Last House On The Left (2009)
“The best horror movie of the new century. The Dennis Iliadis version is to the original what a mature artist’s painting is to the drawing of a child who shows some gleams of talent. The 2009 Last House is the most brutal and uncompromising film to play American movie theaters since Henry, Portrait of a Serial Killer.”
They are all pretty cool movies
The 2016 effect: Whenever I see an article with a famous person’s face as the thumbnail, I assume they had passed away. Thanks for the heart attack!
Connor Gladwin